Difference between fender mustang iii v1 and v2 placement
My mustang GT had 2 board to board pin rows like this one and one was responsible for footswitch issues including locking up and other issues. I literally soldered small piece of wire from the 2 board destinations that each pin was accomplishing in order to bypass the pin connections. That fixed the issue for the remainder of time i had the amp, about a year or more. I hate to say it, but the lack of mounting point on that board is not likely to keep the issue from reoccurring because that likely was only exacerbating the real reason which is that the pin connections are just weak due to the lack of quality in the female side.
On the GT, and i am sure theres no difference. None made it to live. The toneblaster here stayed the only working compromise: sound from the floorboard, no EQ, no effects, clean channel, as cranked up as possible. I played funny New-Age-Pop with this group, the drummer played with brushes, the singer was good. With a real drummer you will have to defend yourself with bigger weapons.
I had 6 sounds with it instantly. In my humble opinion the Mustang is no solution for a young musician who wants to build a band around his songs. My occupation: showing teenagers the many hidden secrets of the A-minor chord on the guitar. Edited 2 times, last by Geraldo7 Dec 12th
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Fender Mustang III V2 - Quick Footswitch DemoIN GAME BETTING FOOTBALL STRATEGIES
Someone said the Mustang sounds like a recording of the emulated amp rather than the amp itself, I think that's the perfect description of the difference. Click to expand I think that's the best description of the Mustangs that I've heard. Though the sounds were pretty authentic, the "aural experience" wasn't.
I think for me I'm not so much out there trying to chase a particular sound because after all, I'm going to sound like me know matter what equipment my guitar is going to be plugged into. And the guitar is going to bias the sound anyway. It has quite good sounds, it has power and lightweight, but it is not roadworthy, not abuse resistant. I doesn't stand usual band gig transportations. This is the 3rd time I am forced to dismantle and repair it for poor construction and bad contacts matters, with updating the software for the occasion, etc It is at home again, and since its circuits looks more like a fragile PC mother board than an amp circuit, finding the intermittent problem is difficult I tried resoldering key-point contacts, I put foam shims to avoid disconnection and provide damping; cleaned pots and the rest Still useless.
What's the issue? On stage, you have random unstable volume variations and sound shut-off not amp shut-off - while playing, of course - very cool!
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