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Sus chords are a special kind of chord that are neither major nor minor and, with their neutral character, they can inject sparkle and movement into otherwise simple chord progressions. Have a go at these shapes and try alternating between the sus chords and more basic major and minor chords. Image credit: Future Sus chords nearly always sound good when played before a major or minor chord that uses the same root note, Bsus4 to B, or Asus4 to A, for example.
The A7, D7 and E9 shapes shown here are all you need for a bar blues improv in the key of A. A13 and E7 9 have an edgier sound and work in jazz just as well as blues. Bm7 is just the ticket for a moody minor blues; if you improvise around this chord, try using the D7 shape four frets higher to create a Bm7 and F 7 progression. Image credit: Future We've played this blues line fingerstyle and added in a few single notes and string mutes marked X between the chords for a sparse bluesy feel.
Mid-neck open chords You already know your open chords, right? Well, adapting and moving those shapes around the neck with one, two or even more strings kept open is a great way to create new chords and new sounds. Image credit: Future The rich sounds here are the effect of droning open strings and the wide intervals between fretted notes and open strings.
If you simply sign up for their free trial , you get access to over 60 million songs completely free — and you can listen anytime, anywhere. You can check out the free trial here. Before we get started, I want to answer a common question about the following songs. Can you learn these songs if you have an electric or classical guitar, instead of an acoustic? The answer is yes.