Gallacher lustwerk parlay betting
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| Gallacher lustwerk parlay betting | When I wake up, I make coffee, I put on the really good hip-hop station, and I listen to that before I check emails, promos, whatever. It was time to let someone else have a go. It felt like something to cherish. Hunt-Hendrix and Gann played as a duo for a short while, but silence descended as work began on what would become The Ark Work. The films themselves are brilliantly selected; funny and poignant and weird, the show is like a mixtape. |
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Above all, the music never complicates itself unnecessarily. Why use two elements where one would do? For that matter, why use one where none would do? Forget less-is-more; his approach seems more like less-is-just-enough. The same goes for the Cleveland-born, Brooklyn-based producer's release strategy. Many musicians in his position, it's safe to say, would have been happy to be courted by labels, happier still to sign on the dotted line.
Lustwerk didn't, though. He put out an EP on Tsuba Records and self-released a downloadable mini-LP under the alias Road Hog , and he played some gigs, but aside from those trial balloons, he kept a low profile. As he recently explained to Juno Plus , he met with labels about putting out the material featured on the mixtape, but "things weren't clear enough for me.
I had a lot of unanswered questions. I decided that I would get the most personal experience and also the most money by releasing them myself. That might be explained, in part, by the fact that he was forced to remake them when his computer crashed shortly after he uploaded the mix. For all their outward similarities—the scratchy, unadorned drum-machine patterns, softly glowing chords, and gruffly muttered vocals—it's striking how much variety Lustwerk gets out of such a tightly focused style.
Above all, the music never complicates itself unnecessarily. Why use two elements where one would do? For that matter, why use one where none would do? Forget less-is-more; his approach seems more like less-is-just-enough. The same goes for the Cleveland-born, Brooklyn-based producer's release strategy. Many musicians in his position, it's safe to say, would have been happy to be courted by labels, happier still to sign on the dotted line.
Lustwerk didn't, though. He put out an EP on Tsuba Records and self-released a downloadable mini-LP under the alias Road Hog , and he played some gigs, but aside from those trial balloons, he kept a low profile. As he recently explained to Juno Plus , he met with labels about putting out the material featured on the mixtape, but "things weren't clear enough for me. I had a lot of unanswered questions. I decided that I would get the most personal experience and also the most money by releasing them myself.
That might be explained, in part, by the fact that he was forced to remake them when his computer crashed shortly after he uploaded the mix. For all their outward similarities—the scratchy, unadorned drum-machine patterns, softly glowing chords, and gruffly muttered vocals—it's striking how much variety Lustwerk gets out of such a tightly focused style.
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